顾随研究——民国时期戏曲研究学谱之十二  

Operas in the Republic of China (part twelve):a case study of Gu Sui

作　　者：赵兴勤[1] 赵韡[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《东南大学学报（哲学社会科学版）》2012年第6期95-101,136,共7页Journal of Southeast University(Philosophy and Social Science)

基　　金：江苏高校优势学科建设工程资助项目(PAPD)成果之一

摘　　要：顾随集作家、诗人、词人、书法家、学者于一身,在多个方面取得足以令人仰慕的成就,戏曲研究即为显例。他对戏曲研究之贡献,主要有如下三端:第一,元曲方言、词汇之研究;第二,戏曲文献的辑逸与整理;第三,率先提出《词谑》的作者为李开先。在戏曲创作方面,顾随接连写下6部杂剧。这些剧作,与其戏剧观(文艺观)也存在着内在的逻辑统一性。顾随瓣香元曲,且能在视野上有所开拓,内涵上有所突破,成为中国杂剧创作史上名副其实的殿军。本文就其戏曲研究和杂剧创作略抒管见。This paper discusses Gu Sui’s studies in operas and his creation in Zaju,i.e.,poetic drama set to music.Gu Sui is a playwright,poet,calligrapher and scholar in the period of the Republic of China.Among his great achievements in various fields,his studies in operas fall into three parts:the dialects and vocabulary in Yuangu;the collection of literature;his suggestion of Li Kaixian as the author of Ci Xue.His literary works are the embodiment of his ideas on operas.For these reasons,Gui Sui is a worthy great master in the history of the Chinese Zaju.

关 键 词：民国时期 戏曲研究 顾随 

分 类 号：I207.3[文学—中国文学]