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作 者:秦烨[1]
机构地区:[1]中国人民大学文学院
出 处:《世界文学评论(长江文艺出版社)》2012年第2期196-199,共4页The World Literature Criticism
摘 要:在冯内古特的作品中反复出现的战争、宗教、机器、科技、消费文化、制度暴力等主题,及其特有的拼贴、黑色幽默、时空旅行、戏仿、科幻等创作技巧,体现出了冯内古特小说的形式探索与美学自觉。本文通过讨论冯内古特作品中所表现的人性欲望,以及由此造成的理性和精神崩塌,指出其作品中包含的宏观的和个体的精神分析要素,深入具体的小说话语实践,指出冯的小说如何在文本中抵抗虚无与超越死生,通过想象性的力量,追求一种与现实对应的可能性,从而揭示冯内古特小说创作的独特性和开创性。It is believed here that the recurring themes in Vonnegut’s novels,such as war,religion,machines,technology,consumer culture,instituitional violence and his characteristic artistic techniques like collage,black humor,time travel,parody and science fiction,collectively incarnate his exploration in fiction form and aesthetic consciousness.On that basis,the author attempts to dissect the works of Vonnegut in the performance of human desire which then leads to the collapse of reason and spirit,thus pointing out the individual and macroscopical elements of psychoanalysis which were included in Vonnegut's works.In addition,this antide penetrates deeply into his novel discourse practice,in order to point out his resistance to nihilism and the transcendence of life over death in the texts through imagination.the author prusues a certain possibility which corresponds with reality and the way it reveals the unique groundbreaking works written by Vonnegut.
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