纯粹几何·古典精神——从格拉斯舒特住宅到三号住宅  

Purity Geometry and Classical Spirit:From Haus Glashütte to House III

作　　者：刘在龙[1] 吴丹[2] 

机构地区：[1]同济大学建筑与城市规划学院 [2]同济大学建筑设计研究院(集团)有限公司

出　　处：《华中建筑》2012年第12期27-29,共3页Huazhong Architecture

摘　　要：对于大多数中国人来讲,奥斯瓦尔德·马蒂亚斯·翁格斯这个名字并不为人熟知,但在德国和欧洲地区,他是德国战后最重要的建筑师,也是德国新理性主义思潮的领军人物。其多产的一生为世人留下了大量伟大的建筑作品,他的创作思想深深影响了一大批欧洲建筑师。翁格斯的大多喜欢运用立方体等几何形体作为造型语汇,作品强调基于数字比例的严谨秩序,追求简化到极致的纯净形式,他的几所自宅尤其是后来的格拉斯舒特住宅和三号住宅都是他个人设计思想的最好体现。文章通过对格拉斯舒特住宅及三号住宅的对比分析,阐述了翁格斯追求纯粹几何形体的造型手法以及基于严谨数字比例的生成机制,探讨了背后蕴含的场所意义以及原型思想和古典精神。Oswald Mathias Ungers is not well known by most of Chinese, but in Germany and European area, he is the most important German architect after the world war II, and also the leader of neo-rationalism in Germany. Ungers led us many famous works in his prolific life, and his thought influents a lot of European architects. He used geometry like cubes as his design languages, pursued the strict order basing on the proportion of numbers and pure form by simplifying to the extreme. His family houses for himself especially Haus Glash0tte and House III are the best embodiments of his own design ideas. Through comparing Haus Glash0tte with House III of Kampchensweg designed by Oswald Mathias Ungers, this article comments the pursuit of pure geometry bases on rigorous proportion, and discusses space meaning, idea of prototype and classical spirit.

关 键 词：格拉斯舒特住宅 三号住宅 纯粹几何体 场所精神 原型 

分 类 号：TU-86[艺术—艺术设计]