中国电影的“游观”镜语——考察1937年前的早期中国电影  

The“Watching by Flow Sight" Lens Language of Chinese Film——Discuss the Early Chinese Film before 1937

作　　者：吴青青[1] 

机构地区：[1]福建师范大学传播学院,福建福州350108

出　　处：《福建师范大学学报（哲学社会科学版）》2012年第6期99-104,共6页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：福建省社科项目<比兴与游观:中国古典美学与中国电影的美学建构>的阶段性成果

摘　　要："游观"是中国文化中独特的观照自然的态度,也是对世界时空一体的动态的美学观照方式。这种观照态度影响生成了中国电影多移动摄影的美学特征,以及独特的空间美学。在早期中国电影创作中,表现尤为明显。The ＂watching by flow sight＂ is a special attitude to view the nature in Chinese culture, and also a dynamic aesthetic method to view the world that time and space are one. This kind of view attitude in- fluenced and formed the aesthetic characteristics of multi-mobile photography and the unique space aesthetic of Chinese film. This was particularly obvious in the Early Chinese film.

关 键 词：游观 移动摄影 空间美学 中国电影 

分 类 号：J9[艺术—电影电视艺术]