从《牡丹亭》舞台传播看传统戏曲的传承  

The Inheritance of Traditional Operas from the Spreading of The Peony Pavilion

作　　者：尹丽丽[1] 

机构地区：[1]徐州工程学院人文学院,江苏徐州221000

出　　处：《昆明学院学报》2012年第5期60-63,共4页Journal of Kunming University

基　　金：江苏省社会科学基金项目(09YSC008);江苏省教育厅高校哲学社会科学基金项目(09SJD760029)

摘　　要：《牡丹亭》经历了百年的传播和演绎,经历了全本、散出选本和改编本三种演出形式,同时还经历了剧本结构、声腔、曲辞、表演的改编和传播方式的改变。在历史久远的舞台演绎过程中《牡丹亭》承载了传统戏曲艺术的经典特质,又在传承的过程中不断地被修改和完善。这种传播丰富了戏曲舞台,同时也保护了古代的文化遗产。After more than five hundred years, The Peony Pavilion experienced three forms of performance according to the whole texts, the collection versions and the adaptions with the changes of the structures of the scripts, the tunes, librettos, the performances and the modes of spreading at the meantime. During the performances on the stages with the long history, it involves the classical characteristics of the traditional opera arts and has been improved constantly in the process of inheritance. The spreading riches the opera stages and protects the ancient cultural heritage as well.

关 键 词：牡丹亭 戏曲传播 传播方式 传统戏曲 戏曲艺术 

分 类 号：I207.3[文学—中国文学]