元代主情论文艺观及其历史意义  

Emotion-oriented Theory and Its Historical Significance in Yuan Dynasty

作　　者：章辉[1] 

机构地区：[1]浙江大学美学与批评理论研究所,浙江杭州310028

出　　处：《集宁师范学院学报》2012年第2期6-9,48,共5页Journal of Jining Normal University

摘　　要：元代文艺学思想受到宋、金两代的双重影响,更有自己不同于历代的独特的面貌。元初的郝经继续了宋代的"文以致用"思想,但也重视其抒发性情的功能。郝经之后,文主性情之论日益兴起,尤以杨维桢为突出。这种观念更加强调文艺表现真实情感和个性的功能,以真情的表达作为审美标准,开创了明清两代"性灵说"的先河。Though influenced by literary trend of Song Dynasty and Jin Dynasty, literary idea of Yuan Dynasty has its unique appearance. In the early days of Yuan, HAO Jing continued the thought of ＂Prac- tical Literature＂ from Song Dynasty, but he also paid attention to the lyric function of literature. After HAO Jing, the emotion-oriented theory rose day by day, and was especially advocated＂ by YANG Weizhen. This notion emphasizes more on the express of real emotion and disposition, and regards it as the standard of aesthetics. The emotion-oriented theory set a precedent for the disposition theory of Ming Dy- nasty and Qing Dynasty.

关 键 词：元代 主情论 性情 

分 类 号：I206.2[文学—中国文学]