哪一种传统观念?哪一种现代意识?——《玉梨魂》的男性至情观  

What Kind of Traditional Concepts and Modern Consciousness? Focusing on the Male Emotional Concept in Yuli Hun

作　　者：李玲[1] 

机构地区：[1]北京语言大学人文学院

出　　处：《南开学报（哲学社会科学版）》2012年第6期12-22,共11页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社科基金项目(07BZW059);北京市哲学社会科学规划项目(10AbWY070)

摘　　要：儿女私情与民族国家大义的结合、寡妇的恋爱婚姻问题,均非《玉梨魂》的核心主题。该小说的核心主题有二:一是探讨了男性该不该对没有再嫁可能的寡妇忠贞不渝这个问题;二是宣张了婚姻恋爱必须自由的主张。《玉梨魂》继承并发展了中国文学中寡妇不可再婚而才子佳人可以风流多情的传统,并从中生发出两性心灵相知的现代爱情境界;《玉梨魂》在抒写男性至情品质中颠覆了男主女从的封建男权伦理,又在肯定男大当婚话语中遵从了儒家正统的家庭观念;《玉梨魂》既坚定地表达了婚姻必须自主的现代人道理念,又在具体描写中落于概念化、教条化。Those love stories affair with the combination of the righteous cause of the nation-state,and the widow＇s love marital problems,are not the core themes of Yuli Hun.There are two core themes of the novel： First,to explore whether the male should extol the non-remarry widows＇ faith or not;secondly,to advocate that it must be free for love and marriage.Yuli Hun inherits and develops the tradition in Chinese literature that the widows couldn＇t remarry but the genius and beauty can be romantic and sentimental.It subverts the feudal patriarchal ethics to describe the male emotion,and to comply with the orthodox Confucian family values while affirming the marriage discourse.So it expresses firmly the modern humanitarian idea that marriage must be free,but falling into the specific descriptions conceptualization.

关 键 词：《玉梨魂》 徐枕亚 性别 爱情 

分 类 号：I207.42[文学—中国文学]