黄梅戏与版画的邂逅——浅谈《徽州女人》的舞台美术设计  

A Chance Encounter Between Huangmei Opera and Printmaking——Brief Probe into Stage Design of Women in Huizhou

作　　者：高俊松[1] 

机构地区：[1]安庆师范学院美术学院,安徽安庆246011

出　　处：《湖北第二师范学院学报》2012年第11期54-56,共3页Journal of Hubei University of Education

基　　金：安徽省2012年高校省级优秀青年人才基金重点项目(2012SQRW082ZD)

摘　　要：黄梅戏《徽州女人》是一部依画作剧的戏曲作品,也是现代黄梅戏艺术的重要剧目,绘画艺术第一次与戏曲艺术邂逅,造就了黄梅戏舞台美术发展中的重要作品。黄梅戏《徽州女人》舞台美术以应天齐的版画作品展开,从剧场前厅设计、舞台布景设计、灯光设计、服装设计等等各个角度,展现了一出光彩强烈的黄梅戏舞台艺术视觉效果。黄梅戏《徽州女人》舞台美术的大胆尝试和艺术创新推动了现代黄梅戏艺术发展,也为黄梅戏艺术与其他艺术门类的融合与借鉴提供思路与方向。Women in Huizhou,adapted from an engraving of contemporary artist Ying Tianqi,is one of the most important operas in modern Huangmei Opera.Its uniqueness lies in the interesting encounter between the art of painting and opera,which plays an essential part in the modern Huangmei Opera.The opera sticks to the original style of Ying＇s work and tends to present a visual feast through the arrangement of the theatre lobby,stage settings,house lights as well as the design of the costumes.The bold and innovative attempt to combine two different kinds of art in one play promotes the development of modern Huangmei Opera;at the same time,it shows ways to the combination and adaption between opera and other genres of art.Stage design,for the first time,becomes the concerns of Huangmei Opera and a milestone in the course of stage design.It is a daring attempt and innovation to comprise the contemporary art and traditional opera in the stage design with regards to the development of Huangmei Opera.

关 键 词：黄梅戏艺术 绘画艺术 舞台美术设计 艺术视觉效果 

分 类 号：I236.54[文学—中国文学]