冯延巳对词的抒情模式的建构及其影响  

On Feng Yan-si's Constructions of Ci's Lyric Methods and Its Historical Influences

作　　者：陈明[1] 

机构地区：[1]西北大学中文系,陕西西安710069

出　　处：《西南师范大学学报（人文社会科学版）》2000年第3期103-109,共7页Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)

摘　　要：词的雅化与文人化最关键的一步是精神与品格的雅化与文人化。要做到这一点，就必须在原本内容浮泛、娱人为主的词中注入士大夫知识分子的“情”，并使之纳入符合士大夫知识分子审美情趣的抒情模式和风格中。这个变革工作是由冯延巳来首倡和推行的。冯延已最大的成就就是在词中引入了诗歌赋比兴的传统手法，使词有了意境，并因之确立了词思深语丽、含蓄蕴藉的婉约派抒情风格，从而开了北宋一代词风；To make Ci refined and characteristic of the intellectuals, an effort made in the field of human spirit and quality is most important. Hence, those pleasure-orientated, superficial pieces should be revindized by merging with the feelings of the dignified scholar-bureaucrats, and thus adjusted to an expressive style and manner conforming to their esthetical temperament and internet. Such Tranformation was advocated and promoted by Feng Yan-si, who contributed a gnat deal to intrioduce the lyric methods of tradtional poetry to its composition analogy, metaphor and description. By this means, he endured with artistic conception and found the special style of Wan Yue school characterized by profound thought, bright and fluent language, as well as explicit content, which later became popularized during the coming North Song Dynasty.

关 键 词：冯延巳 词 抒情模式 心理基础 形式基础 

分 类 号：I207.23[文学—中国文学]