论“妇女回家”论争背景下新知识女性成长小说——以桂林版《文艺生活》月刊为例  

On the Novels of New Female Intellectuals in the Context of "Women Returning Home" Controversy—— taking Guilin Version Artistic Life(monthly) as an Example

作　　者：王丹 

机构地区：[1]广东海洋大学文学院,广东湛江524088

出　　处：《山东理工大学学报（社会科学版）》2012年第6期63-67,共5页Journal of Shandong University of Technology（Social Sciences Edition）

摘　　要：1940年代初,有关王西彦小说《家鸽》的批评和反批评文章在《文艺生活》月刊上形成了交锋。文章以此为引子,讨论了在上述背景下《文艺生活》月刊刊发的以知识女性成长命题为关注点的作品。这些作品从社会、男权以及女性自身这三个角度探讨了女性被束缚的原因,着力表现了知识女性是如何在抗战的时代潮流下,冲破牢笼走向社会并成就自身的。虽说这些新知识女性在某种程度上是作为理想化的存在而被描述着,但这些新知识女性形象的出现仍然是对"妇女回家"论争所作出的正面且有力的回答。In the early 1940s, articles of criticism and counter-criticism about Wang Xiyan＇ s novel Pi- geon confronted each other in the Artistic Life. This paper starts with the arguments and discusses works concerning the growth of new female intellectuals in the Artistic Life. These works explored the reasons why women were restricted from three aspects, namely： the society, male chauvinism？ and women themselves, with the focus on how the female intellectuals achieved the breakthrough and joined in the social life during the anti - Japanese War. Although these female intellectuals only existed as idealized models in literary works, the emer- gence of these new images of female intellectuals was a？ positive and powerful answer to？ the controversy of ＂women returning home＂.

关 键 词：“妇女回家” 《文艺生活》 新知识女性 成长命题 《家鸽》 

分 类 号：I207.4[文学—中国文学]