“三言”情爱故事的书写原则及明代市民的社会心理  

The Principle of Writing Love Stories Adopted in “San Yan” and the Citizens' Socio-psychology in Ming Dynasty

作　　者：汪注[1] 秦晓梅[1] 

机构地区：[1]安徽商贸职业技术学院基础教学部,安徽芜湖241002

出　　处：《安徽商贸职业技术学院学报》2012年第4期48-51,共4页Journal of Anhui Business College

基　　金：安徽商贸职业技术学院院级教研项目(zl2010023);安徽商贸职业技术学院院级科研项目(2012KYR04)

摘　　要："三言"情爱故事的书写原则集中表现为形象对称、伦理优先与完美,书写者之所以遵循这样的原则,实际上是为了满足市民追求身份提升的欲望,呼应市民崇尚家族伦理,投合市民审美情趣,进而为评弹说唱吸引客源。可以说,"三言"情爱故事书写原则的确立既是中国古典小说写作技巧的重要尝试,更是明代市民娱乐消费市场的产物。The principle of writing love stories adopted in ＂San Yan＂ can be mainly manifested as the symmetry in characters＇ image-building, ethics preference and perfect ending. The reason for the writer to follow such a principle is actually to satisfy the citizens＇ desire for the enhancement of their social status, respond to their veneration for clan ethics, cater for their aesthetic interest and in this way help Pingtan performers attract and retain audience. We can say that the principle of writing love stories adopted in ＂San Yan＂ is not only an important attempt in Chinese classic novel writing skills, but a product of citizens＇ entertainment consumption market in Ming Dynasty.

关 键 词：三言 情爱故事 书写原则 市民心理 

分 类 号：I206.2[文学—中国文学]