丰子恺艺术思想的基础及其得失  

Basis of Feng Zikai's Artistic Ideas and their Gains and Losses

作　　者：陈伟[1] 倪君[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2012年第6期43-48,共6页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：教育部重点研究基地重大项目"中国早期都市流行歌曲与都市文化"(2009JJD840013);上海市教委重点创新项目"早期都市流行歌曲与美学现代性研究"(11ZS127)

摘　　要：丰子恺是中国现代文化史上一个非常独特的大家,多才多艺,学贯中西,在绘画、散文、音乐、建筑、佛学以及翻译方面作出了很多贡献。文章在前人研究丰子恺的基础上,探索其艺术思想形成的基础及得失,以促进当代社会主义新文化的建设。Feng Zikai was a very unique master in the history of China＇ s modern culture. As a man versed in both Chinese and Western learning, he was versatile and made great contributions to the development of painting, prose, music, architecture, Buddhism and translation. On the basis of previous researches, the paper explores the basis of Feng Zikai＇ s artistic ideas and their gains and losses in order to be helpful to promote the cultural construction of contemporary socialism in China.

关 键 词：丰子恺 艺术思想 文化建设 

分 类 号：J20[艺术—美术]