鲁迅小说与时间蒙太奇  

Lu Xun's Novels and Time Montage

作　　者：胡志明[1,2] 秦世琼[1] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201 [2]华中师范大学文学院,湖北武汉430079

出　　处：《南阳师范学院学报》2012年第11期88-90,100,共4页Journal of Nanyang Normal University

基　　金：湖南科技大学"中国古代文学与社会文化研究基地"(湘教通[2004]284号)

摘　　要：时间蒙太奇打破了物理时间固有的不可更改的矢向,形成了并非连续的连续感。鲁迅大量使用压缩、延长、定格、长镜头等蒙太奇手法来安排小说时间,打破了从过去到现在到未来的线性时间发展序列,从而显示出小说人物瞬间意识的多元化和立体感。Time montage can go as far as breaking the inherent continuity of the physical time and engender a sense of continuity in discontinuous time spheres. Lu Xun had amply applied montage techniques to his literary creations, such as compression, extension, definition and long take techniques, which enabled him to break the lineal se- quence in time, that is, the sequential development of a story from beginning, through the middle, to the end, in chronological order, so as to give full vent to the diversity and stereo dimensions of the instantaneous consciousnes- ses of his novelistic protagonists.

关 键 词：鲁迅小说 时间蒙太奇 压缩 延长 定格 长镜头 

分 类 号：I109.5[文学—世界文学]