晋宋“文义”与谢诗“玄学尾巴”成因  

On "Wen-Yi" of Jin Dynasty,Song Dynasty and "Metaphysics Tail" of Xie Lingyun Landscape Poems

作　　者：姜剑云[1] 霍贵高[2] 

机构地区：[1]河北大学文学院,河北保定071002 [2]石家庄学院文学与传媒学院,河北石家庄050035

出　　处：《保定学院学报》2012年第6期1-11,共11页Journal of Baoding University

基　　金：国家社会科学基金"谢灵运新探与解读"(04BZW037);中国博士后科学基金"从宗教到文学--谢灵运考论"(中博基[2002]11号)

摘　　要：从曹魏后期到晋宋之际,玄学经历了三个形态的变化。一是曹魏后期的"政治的玄学",二是西晋前期的"哲学的玄学",三是晋宋之际的"艺术的玄学"。以正始为代表的曹魏后期文学创作"有玄无文",以太康为代表的西晋前期文学创作"有文无玄",以陶、谢为代表的晋宋之际文学创作"有文有玄"。谢灵运就生活在"艺术的玄学"的时代,他不仅重"文","情必极貌以写物,辞必穷力而追新",而且重"义",体现在诗歌创作中,就是其山水诗的"玄学尾巴"。From the period of late Cao-wei to the period of Jin dynasty and Song dynasty,metaphysics have undergone three changes in their patterns.The first is ＂political metaphysics＂ in late Cao-wei period,the second is ＂philosophy metaphysics＂ in former western Jin dynasty,the third is＂art metaphysics＂ in the period of Jin dynasty and Song dynasty.In the period of late Cao-wei,literature has metaphysic but no grace.In former western Jin dynasty,literature has grace but no metaphysic.In the period of Jin dynasty and Song dynasty,literature has grace and metaphysic.Xie Lingyun just lived in such a ＂arts metaphysics＂ era which appreciating ＂Wen-Yi＂ became a fashion tide.Therefore,he not only thought a lot of literature,but also paid more attention to metaphysics.In poems,it shows the controversial ＂metaphysics tail＂.

关 键 词：晋宋“文义” 谢灵运 山水诗 玄学 “玄学尾巴” 

分 类 号：I207.22[文学—中国文学]