简说我国文献纪录片创作的发展  

A Brief of the Development of Documentary Creation in Our Country

作　　者：仇蓓蓓[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2012年第4期32-35,共4页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：自1927年起,85年来,我国的文献纪录片创作经历了从国家民族史到社会个人史,从单一主题到多元主题的发展历程。建国前至改革开放前期,中国文献纪录片创作侧重于对革命斗争史、政治发展史的关注,以形象化政论为主。进入2000年以后,历史文化和社会现实成为文献纪录片创作的主要题材,并体现出"解密历史真相、寻找文化归属、制造影视奇观、创造商业价值"的创作特点。During the past 85 years since 1927,the documentary creation in our country has experienced a development process from the history of nation to history of individuals,from mono-theme to mult-theme.Since before 1949 till the eve of Reform and Opening,Chinese historical documentaries mainly pay attention to the history of revolutionary struggle and development of politics,featured of imaginary political discussion.After the year 2000,historical culture and social reality become the major themes of documentary creation,demonstrating the characteristic of ＂disclosing the truth of history,tracing the origin of culture,creating fantastic spectacle,and creating commercial values＂.

关 键 词：文献纪录片 发展历程 创作题材 

分 类 号：I207.351[文学—中国文学]