论男性文本中的“妖女”形象——以《尘埃落定》中塔娜为例  

On the Siren in the Male Text:Taking Ta Na as an Example

作　　者：黄丽萍[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《广东广播电视大学学报》2012年第6期83-86,共4页Journal of Guangdong Radio & Television University

摘　　要：《尘埃落定》中的塔娜,有学者概括为"花妖狐媚型女人"、"放荡型女人"。作为一个女人,她和作品中的其他女人一样,身上承载着男性中心话语对女性主体性的压制。作为一个"妖女",她和男性作家笔下的其他"妖女"一样,成为男权话语下男性欲望的投射,在欲望化叙事中,为男性中心话语所妖化。"妖女"多歧路,却殊途同归,是男性潜意识的代言者。The role of Ta Na in The Dust Settles is called the enchanting Sprite and immoral woman by some scholars. As a woman, like other female characters in the novel, her feminine subjectivity is suppressed by the male-centered discourse. And as a siren, she and other same characters in the male writer＇s hands become the projection of male desire under the male- centered discourse, and also are demonized by the male-centered discourse in the male writer＇s orectic narrative. The sirens have different lives, but share the same destiny, making them the voice of the male subconscious.

关 键 词：塔娜 妖女 男性中心话语 欲望化叙事 潜意识 

分 类 号：I207.4[文学—中国文学]