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作 者:薛熹祯[1]
机构地区:[1]北京大学中文系
出 处:《云梦学刊》2012年第6期77-91,共15页Journal of Yunmeng
摘 要:张恨水小说文本中存在着多重对话关系,如在以市民社会为读者群的小说创作中,通俗文学与新文学的对话;不同于新文学以知识分子及农民为主要表现对象,张恨水明确表示,其读者群是市民阶层,作品突显出了文学中的娱乐性与趣味性,作家始终自觉地让文学作品与大众站在同一阵线;在女性婚恋主题上经济与道德的对话,张恨水塑造的仍然是与时代俱进的女性,然而不同于新文学中强调女性"灵魂的提升"与对崇高生活的憧憬,张恨水注重描写在生存经济压力下的爱情,其笔下的女主人公始终处于选择与被选择的位置,着眼于市民社会中世俗的生存与爱欲的挣扎之中;人物活动空间的转化中,人物心理上城市与乡村之间的对话。张恨水小说文本所描绘的多数是大都市的图景,这些描述深深地打上了已经被都市化了的作者本人的精神烙印,而小说中的人物总是在城市与乡村之间徘徊无所归依,这正体现了作者内心深处对自己所来自的乡村无法摆脱的眷恋,而作者更为重点表现的是人物对城市的深沉的依赖和以城市作为自己最终归宿的选择。Zhang Henshui's novel text as the object of study in which multiple dialogue on the focus of the study, the creation of civil society for the readers of the novel, popular literature and literary dialogue; differing from new literature intellectuals and farmers main object, Zhang Henshui makes it clear that their audience is the public sectors, highlighting entertainment and fun in the literature. From beginning to end, the author is always conscious of literary works and the general public being on the same side; on the theme of female love and marriage, economic and moral dialogue, Zhang Henshui's portrayal is still the women coming up with the times, however, it is different from the emphasis on women in new literature, promotion of "soul" and the vision of a noble life. Zhang Henshui focuses on descriptions of love under the economic pressures of life, with the heroine in a tough position on choices around secular focus on civil society, survival and the struggle of Eros, transformation of personal space, the characters and psychological dialogue between the urban and rural settings. Depictions in the novel being mostly cosmopolitan, these descriptions are deeply marked by the spiritual imprint of the author having been urbanized, while the characters in the novel are always hovering between their urban and rural origins. Like the villager who cannot forget her attachment to her rural roots, the author also focuses on the deep dependence of the city dweller and the city as her final destination of choice.
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