民间规约的诗性展演：侗族款词研究  

Poetic Performance in Folk Law:Studies of Terms of Dong

作　　者：王红[1] 

机构地区：[1]广西大学文学院,广西南宁530004

出　　处：《吉首大学学报（社会科学版）》2012年第6期117-123,共7页Journal of Jishou University(Social Sciences)

基　　金：教育部社科基金项目(10YJC751086)

摘　　要：侗族款词是以民族古歌形式表达的乡规民约,是民间文艺和民间规约的复合体。它以"百科全书"的身份在广度上蕴涵了侗族的社会横向全景,并在深度上以"活化石"的姿态表征着侗族历史的纵向发生、承继与发扬。不仅如此,侗款呈现的文化底蕴、律法思想和表意机制,揭示了侗族文化中人与自然的和谐属性和共处原则,以此为基础生成的艺术精神和律法思想,及其两者悖论而统一的独特属性,又反过来支撑着民族的独特性与恒定性。因此,侗款在艺术与法律的领域,在处理人类自由与规约、情感与理性、人本与法本关系时凸显出和谐性、有效性与持续力,它以一种成功的文化精神模态昭示了人类社会、艺术创作发展的又一探索方向与行进模式。Terms of Dong, an ancient song, which is regarded as stipulations of the Dong people, is a combination of folklore and law. It not only conveys the whole society of Dong like an encyclopeadia but also stands for the inheriting and developing of Dong^s history like a living fossil. Besides, the culture, the law and the narrate method of Terms of Dong indicate that the Dong^s culture is ecological harmoni- ous. The uniqueness and stableness of Dong are based on the unity of opposites, which include the spirit of art and the thoughts of stipulation. Therefore, Terms of Dong has its own compatibility in antagonis- tic aspects like art and law, emotion and rationality. In a few words, a new way that points out the de- veloping direction of society and art is able to be found in Terms of Dong.

关 键 词：侗族 款词 民间规约 

分 类 号：C955[社会学—民族学]