中国交响音乐作品结构形态的创新探索——以《“和毅庄诚”交响乐作品音乐会》作品为例  

Innovation of Structural Form in Chinese Orchestral Compositions-Case Study of the Orchestral Music Concert "He Yi Zhuang Cheng"

作　　者：魏莲[1] 

机构地区：[1]浙江师范大学杭州幼儿师范学院,浙江杭州310012

出　　处：《音乐探索》2012年第4期83-87,共5页Explorations in Music

摘　　要：交响音乐作为具有悠久历史的西方音乐的最高表现形式之一,集中体现了西方文明的思维特征与审美情趣,并以系统的组织结构形态呈现出来。受其影响,在20世纪20年代末开始形成的中国交响乐创作,在艰难前行的发展过程中逐渐认识到,交响乐作品创作的中国化、民族化,不但应表现在音高组织结构包括旋律、和声与对位织体中,也应体现在作品的各级组织结构中。近期,上海音乐学院"和毅庄诚"交响乐作品音乐会中的几部作品在这方面为我们提供了一些很好的参考和借鉴。文章以此为例,对这一问题进行初步分析研究。With its long history,orchestral music is one of the art forms that reflect the characteristics of thoughts and aesthetics in western civilization.It is structuralized and systemized.Chinese orchestral music,which appeared around late 1920s,is born under the influence of it.The development of Chinese orchestral music has always been stumbling;Chinese composers gradually realize that the localization and nationalization of orchestral music should be considered not only on the level of structure and texture of melody,harmony and counterpoint,but also on other levels of a composition.Recently,few of compositions from the concert,＂He Yi Zhuang Cheng＂,in Shanghai Conservatory of Music have exemplified well and made some reference for us.

关 键 词：中国交响乐作品 中国传统音乐 琴曲 边缘曲式 

分 类 号：J605[艺术—音乐]