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机构地区:[1]哈尔滨工业大学建筑学院,黑龙江哈尔滨150006 [2]黑龙江大学,黑龙江哈尔滨150080
出 处:《西安建筑科技大学学报(自然科学版)》2012年第6期842-848,共7页Journal of Xi'an University of Architecture & Technology(Natural Science Edition)
基 金:黑龙江省科技攻关资助项目(GZ10D206)
摘 要:现代日本建筑界中始终贯穿着日本趣味的创作意识,其形成因素是日本几代建筑师不断努力探索的结果,更是受日本民族认知与民族精神的直接影响.从日本民族的时空认知出发,分析现代日本建筑师伊东丰雄、妹岛和世等提出的短暂建筑理论、"生成"式建筑空间和"间"空间、"奥"空间的创作思维,并与日本民族时空认知的暂时性、模糊性和阴翳性结合进行推理分析,提出现代日本建筑的日本趣味是由于其岛国民族特有的时空认知意识形成的必然结果,这种意识是民族根性使然.它是一个多变的非线性系统,由造型模仿过渡到意识形态的制约,现代建筑虽具有多元性,但日本民族的认知意识始终影响其建筑的发展.The creative consciousness of aesthetical taste always appears in modern Japanese architectural field.The formative factors are the result of hard work of the Japanese architects for generations,and also are directly derived from the national cognition and spirit of the Japanese.From the angle of the spatiotemporal cognition of the Japanese nation,this paper analyzes the theory on temporality of architecture,the "generation style" architectural space,which the creative thinking of the "Ma" space and "Oku" space,which are respectively proposed by some modern Japanese architects,such as Toyo Ito,Kazuyo Sejima and so on.And then combined with the characteristics of temporality,vagueness and shadow in the spatiotemporal cognition of Japanese nation,it is derived that the aesthetical taste of modern Japanese architecture is the inevitable result of the unique spatiotemporal cognition of the islanders.Japanese nationality is the kernel factor that forms the spatiotemporal cognition.It is a complex nonlinear system,making a transition to ideological constraint from simple imitation.Although modern Japanese architecture has characteristics of polytropism,cognitive consciousness of the Japanese nation always affects its development.
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