中日韩三国“风水”文化比较研究  

Geomantic Culture of China, Japan and Republic of Korea: A Comparative Study

作　　者：李琦珂[1] 曹幸穗[2,1] 

机构地区：[1]南京农业大学人文社会科学学院 [2]中国农业博物馆

出　　处：《东北亚论坛》2013年第1期108-118,129,共11页Northeast Asia Forum

基　　金：教育部人文社会科学研究项目(05ja770013)

摘　　要："风水"是中国的传统文化,日本和韩国深受其影响,形成了迥异于中国"风水"的日韩风水文化。三国的"风水",皆植根于传统周易文化的土壤之上,蕴含有强烈的自然崇拜精神和朴素的农耕文化思想。三国的"风水"均暗含了现代建筑生态学和建筑美学的思想,具有丰富的生态内涵和人文意蕴。三国的"风水"具有功利性、生态性以及系统性等共同特点。无论是在"风水说"层面,还是在"风水术"层面,三国"风水"均各具特点,其迥异性具体体现在"空间风水术"和"时间风水术"两大方面。地理影响和宗教濡染,是三国"风水"特点迥异的主要原因。三国"风水说"和"风水术"的比较研究,有助于加深人们对东北亚汉文化传统的理解。Geomancy is a part of traditional Chinese culture.The Geomantic culture of Japan and Republic of Korea(ROK),which is deeply affected by Chinese Geomantic culture,is quite different.Rooted in traditional Yi culture,the Geomancy of the three countries has distinct features of Physiolatry and plain thoughts of cultivation.Besides,thoughts of architectural ecology and architectural esthetics are concluded,and ecological connotation and humanity implication is varied.Geomancy in the three countries is utilitarian,ecological and systemic in common.However,in the perspective of Geomantic Hypothesis and Geomantic Omen,different features among the three can be easily found due to geographical and religious factors.Comparative study of Geomantic culture of the three countries is beneficial for better understanding the tradition of Han culture in Northeast Asia.

关 键 词：风水文化 “风水说” “风水术” 中日韩三国 比较研究 

分 类 号：G04[文化科学]