海伦·加纳创作主题和写作风格的转变——《小天地里的大世界》与《空余的房间》对比研究  

Subject and Style Transformation of Helen Garner —A Comparative Study of Cosmo Comolino and The Spare Room

作　　者：向晓红[1] 

机构地区：[1]西华大学外国语学院,四川成都610039

出　　处：《西华大学学报（哲学社会科学版）》2013年第1期45-49,共5页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：四川省外国文学研究中心资助课题"澳大利亚女作家海伦.加纳研究"(SCWY08-05)

摘　　要：澳大利亚著名女作家海伦.加纳创作初期致力于塑造女性形象,构建女性的主体地位。而最新的小说《空余的房间》在构建女性主体地位的同时,通过两位老年女性在疾病治疗过程中和与死亡进行的抗争中发生的冲突,探讨女性友谊和女性关怀。论文通过对其早期和末期两部小说的对比研究,分析作家女性主义理念的变化和不同的叙述特色。Helen Garner, an Australian female novelist, has tried to describe positive female images and establish female subjectivity in her early writing career. However, The Spare Room, her recently published novel, focuses on the female friendship and care, which are fully expressed by two elderly ladies in their conflicts arising either in the therapeutic process during which one helps her cancer-haunted friend or in the different attitudes toward fighting against death. This essay makes a comparative analysis of Gamer＇s two novels published in 1992 and 2008 separately, trying to reveal her change in feminist subject and narrative style within 15 years.

关 键 词：海伦·加纳 《小天地里的大世界》 《空余的房间》 对比研究 

分 类 号：I106.4[文学—世界文学]