文人庭园与诗歌书写——以杨万里东园为考察中心  

The Garden of Literati and the Literati's Poetry of Garden:To focus on YANG Wan-li's poems on his Dongyuan Garden

作　　者：马东瑶[1] 王润英[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《北京师范大学学报（社会科学版）》2013年第1期88-95,共8页Journal of Beijing Normal University(Social Sciences)

基　　金：国家社科基金青年项目"中国古代的文人庭园与文学写作研究"(11CZW051)

摘　　要：中国古代文人士大夫创作过大量的庭园诗歌,并在其中寄予自己的人生理想和价值追求。杨万里是一位具有代表性的庭园诗人,他一生酷爱园林,在游园、造园和写园中,通过想象、建筑和书写,建构起了"图景式庭园"、"实体庭园"和"书写中的庭园"三重与自己知音相契的文人庭园,在庭园中数次拒仕不出,"笔落而逝",殉于精神的清野。而庭园作为文人士大夫与政治的触媒,不仅为文人士大夫提供了可居可游的知音场域,保全其人格的独立和精神的坚守,而且通过文人士大夫的书写得以留存,记录并延续了千古文人在仕与隐的矛盾中对于理想人格的追求和执着的姿态。In the process of building, traveling through, and writing about his garden, YANG Wan-li constructed three kinds of garden： an imaginative one, a physical one, and a textual one, a phenomenon that suggests that YANG was over whelmingly intoxicated with garden. However, his poetry reveals his grave loneliness. As a witness between literati and po- litics, garden not only provides the potential spiritual place to live in or to visit for literati, but also sustains their independ- ence of personality and persistence of spirit. In fact, the garden image obtained an eternal life through his poems. It records and continues an ancient Chinese literati＇s pursuit of ideal personality and persistent attitude when he faces the contradiction between securing an official position and living in seclusion.

关 键 词：文人庭园 诗歌书写 杨万里 东园 精神建构 

分 类 号：I206.2[文学—中国文学]