女性主义文学批评与《阁楼上的疯女人:妇女作家与十九世纪文学想像》  

Feminist Literary Criticism and the Madwoman in the Attic: Women Writers and the Nineteen-century Literature Imagination

作　　者：易平[1] 

机构地区：[1]成都中医药大学外语学院,四川成都611137

出　　处：《四川文理学院学报》2013年第1期103-105,共3页Sichuan University of Arts and Science Journal

摘　　要：概括了女性主义文学批评的理论先驱弗吉尼亚.伍尔芙和西蒙·德·波伏娃的理论对女性主义文学批评的影响,阐述了伊莱恩·肖沃尔特所划分的西方女性主义的三个发展阶段,并着重分析了《阁楼上的疯女人:妇女作家与十九世纪文学想像》的女性主义思想及其文学批评理论。In this paper, we summarized the impact of the theory of feminist literary criticism proposed by Virginia Woolf and the French Simon de Beauvoir on feminist literary criticism. Through describing the three stages development of the western feminist divided by Elaine Showalter, we analyzed the feminist thought and its theory of literary criticism of the madwoman in the attic： women writers and literary imagination of the nineteenth century.

关 键 词：女性主义文学批评 《阁楼上的疯女人》 魔鬼与天使 

分 类 号：I106[文学—世界文学]