中国现代词学中的词意论  

The Meaning of Ci-poetry in Chinese Modern Ci-poetry

作　　者：胡建次[1] 周永忠[2] 

机构地区：[1]南昌大学人文学院,南昌330031 [2]南昌大学图书馆,南昌330031

出　　处：《山西师大学报（社会科学版）》2013年第1期126-130,共5页Journal of Shanxi Normal University(Social Science Edition)

基　　金：国家社科基金资助项目(11BZW006);江西省高校人文社科重点研究项目(ZGW1112)

摘　　要：我国现代词学中的词意论,主要体现在三个维面:一是对词作之本"意内言外"论的标树;二是对词意表现特征与要求的探讨;三是对创作运行与意致呈现关系的考察。其中,在第二个维面,主要包括词意表现新颖独创论、含蓄深致论、真实自然论、圆融浑成论、不可取巧论及精粹凝炼论;在第三个维面,词论家将言为意用、笔为意用、意随辞转的创作原则极致地张扬了开来。现代词论家们从不同视点与程度上或承衍、或充实、或深化、或创新了古典词意论的内涵,完善了传统词意论的建构。The discussions on intended the meaning of Ci-poetry＇s in Chinese modern Ci-poetry are mainly embodied in three aspects： one is praising that intended meaning is expressed by the words;the second is exploring the representative character and searching for Ci-poetry＇s meaning;the third is examining the relation between writing operation and meaning presentation.In the second aspect,discussions are mainly centered on the Ci-poetry＇s meaning representation which should be original,implicit,authentic,integrative,refined and unique.In the third aspect,critics extremely propose the writing principle that words should serve meaning,and the meaning be changed by words.The critics of modern Ci-poetry from different viewpoint and degree,have spread,or enriched,or deepened,or innovated the connotation of classical Ci-poetry,perfected the construct of traditional theory of the meaning of Ci-poetry.

关 键 词：现代词学 词意论 本质标树 特征探讨 关系考察 

分 类 号：I109.3[文学—世界文学]