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作 者:魏宏瑞[1]
机构地区:[1]南京信息工程大学语言文化学院,南京210044
出 处:《山西师大学报(社会科学版)》2013年第1期140-144,共5页Journal of Shanxi Normal University(Social Science Edition)
摘 要:乡土小说是中国新文学的重要小说类型之一,方言是其"土气息、泥滋味"的重要表征。在中国现代乡土小说发展史上,乡土小说家、评论家大都审慎而艺术地运用方言,方言在乡土小说中也具有多重审美内涵。乡土小说发展到十七年(1949—1966)时,方言却只简单地成为作者创作、思想立场的表征。在十七年乡土小说中,方言泛滥与审美质素的消弭成为一个饱含思想史命题的语言症候。作家周立波的创作正是这一问题的典型个案。Local novel is an important novel type in Chinese new literature and the dialect is an important characterization of "soil,mud smell taste" in the local novels.In the history of Chinese modern local novel,native novelists and critics are making artistic use of dialect.The dialect in the local novel also has multiple aesthetic connotation.In the seventeen years of native literature(1949 —1966),the dialect has simply become characterization of ideological position of writers.In the seventeen years of local novels,the flooding and aesthetic level of dialects have become a full language syndrome of ideological history proposition.Zhou Libo's creation is a typical case.
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