扬州八怪革新画风及其成因探析  

The Innovated Painting Style of the Eight Eccentrics of Yangzhou and Its Cause

作　　者：聂危谷[1] 

机构地区：[1]南京大学美术研究院,江苏南京210093

出　　处：《扬州大学学报（人文社会科学版）》2012年第6期74-81,共8页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：国家社会科学基金艺术学项目(12BF044)

摘　　要：伴随明清之际的个性解放思潮,扬州八怪引领画风革新,其风格特征为:笔墨表现的唯我之境;构图的张力样式;书画同构;色彩表现。虽然同属一个画派,扬州八怪画家之间不仅避免趋同,而且在交流沟通的同时互相求异,从而形成了独标新格、影响深远的一代革新画风。With the emancipation of individuality in Ming and Qing Dynasties,the Eight Eccentrics of Yangzhou led the innovation of painting style.Among its features are the solipsism in representation,the structural tension,the isomorph of writing and painting,and the use of colors.While belonging to the same painting school,the Eight Eccentrics avoided the sameness among themselves and made efforts to distinguish themselves from each other.

关 键 词：扬州八怪 革新画风 历史原因 

分 类 号：J209[艺术—美术]