清初扬州界画流派管窥  

The Schools of Yangzhou Jiehuain Early Qing Dynasty

作　　者：顾志红[1] 

机构地区：[1]扬州大学艺术学院,江苏扬州225009

出　　处：《扬州大学学报（人文社会科学版）》2012年第6期87-94,共8页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：国家艺术科学规划项目(01BF46)

摘　　要：清初扬州画坛出现了以李寅、王云、萧晨、颜峄、袁江、袁耀等人为代表的界画群体。他们继承唐、宋界画传统的同时又有所创新,将院体山水与界画结合起来,从而在画坛独树一帜,形成了风格独特的扬州界画流派。同时,得到市民阶层的喜爱和晋商的鼎力资助。他们将清代界画推向新的高峰,最终成为中国界画的最后的代表。In early Qing Dynasty,there appeared in the painting field of Yangzhou a group of painters engaged in Jiehua,among whom are Li Yin,Wang Yun,Xiao Chen and others.While inheriting the painting tradition from Tang and Song Dynasties,they established their independent style： combining the academic mountain-river painting style and Jiehua.Hence the unique style of Yangzhou Jiehua.Adored by common people and supported by Shanxi merchants,they developed the art of Jiehua in Qing Dynasty into a new level and made themselves the last representatives of Chinese Jiehua.

关 键 词：界画 扬州界画流派 晋商 

分 类 号：J209[艺术—美术]