港台电影中的国家形象比较  

A Comparative Study of the National Image in Hong Kong and Taiwan Movies

作　　者：张黎呐[1] 

机构地区：[1]扬州大学新闻与传媒学院,江苏扬州225009

出　　处：《扬州大学学报（人文社会科学版）》2012年第6期114-117,共4页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：教育部人文社科课题(12YJCZH279)

摘　　要：20世纪上半叶同属外邦殖民地的港台地区,以银幕上对古代历史的追忆为国家塑形,坚守中华儿女的国民精神。台湾光复以后,电影以宏大叙事宣扬主流价值观,维护一个中国的传统形象;香港电影则在武侠的幻象世界中打造具有忠贞与侠义风范的国家与民族形象。新世纪以来,香港与内地电影对于国家形象的叙事立场与理念逐渐合一,台湾电影却仍在文化身份确认的困境中。In the early half of the 20th century,both Hong Kong and Taiwan,under colonization during that period,created the national image in their movies maining by reminiscing the ancient history of China.Taiwan,after its recovery,strived to maintain the traditional image of China and advocated the mainstream values in the movies by means of grand narrative.On the other hand,Hong Kong took pains to create a national image of loyalty and chivalry in the imaginative world of Kongfu.In the new century,the converging narrative standpoints and conceptions are gradually found in the movies of Hong Kong and the Mainland while the Taiwan movies are still stuck in the plight of cultural identity.

关 键 词：港台电影 国家形象 宏大叙事 历史叙事 

分 类 号：J905[艺术—电影电视艺术] G223[文化科学]