中国古典舞创作中的崇侠文化取向探源  

On Orientation of Chivalry Culture in Classical Dance

作　　者：段兰芳[1] 

机构地区：[1]湖南师范大学音乐学院舞蹈系,湖南长沙410012

出　　处：《怀化学院学报》2012年第12期70-72,共3页Journal of Huaihua University

摘　　要：拟通过一批具有"侠义精神"的古典舞作品作为切入口,阐述当代古典舞创作与传统的崇侠文化心理具有紧密联系:一、与古典舞脱胎于戏曲、武术的文化源流有关;二、与弘扬阳刚美学的审美追求有关;三、与追求强烈的舞蹈视觉冲击效果有关。四、与弘扬民族传统的文化精神有关。侠文化精神是中国传统人文精神的重要组成部分,我们研究挖掘古典舞剧目创作中的崇侠文化心理有利于这种精神财富在新的时代里继续发扬光大。The author gives an explanation of the combination of the creation of contemporary classical dance and the chivalry culture by the classical works of ＂magnanimity＂. The author holds that it stems from the opera and classical dance, martial arts and it is closely linked with the pursuit of a strong visual impact on the dance. It promotes the aesthetic pursuit of masculinity and also carries forward the national spirit of tradition. The ＂magnanimity＂ of classical dance attaehes great importance to inheriting and carrying forward traditional humanistic spirit. So, the research of mining classical dance will carry forward the spiritual wealth in the new era.

关 键 词：崇侠意识 古典舞创作 传统文化精神 阳刚美学 视觉冲击力 

分 类 号：J704[艺术—舞蹈]