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作 者:杨一丹[1]
机构地区:[1]南开大学文学院,天津300071
出 处:《河北工业大学学报(社会科学版)》2012年第4期19-23,共5页Journal of Hebei University of Technology:Social Sciences Edition
摘 要:文学是具有主体性格的,对文学史的编选同样受制于也显示着编选者当时的文学史观和思想态度,以《新文学大系.散文卷》的两位编者周作人和郁达夫为例,从他们各自选集导言部分对自己散文观念的阐述和所选文章中透露出的臧否态度中,可以窥见两位一向被文学史描述为具有"内向化"文学倾向的坚守"五四"传统的健将在"红色的三十年代"中文学观念的复杂变化,和对于新文学第一个十年的文学史书写的价值评判。身处三十年代的社会氛围和文学生态的影响之下,他们对自身第一个十年的文学思想和创作都进行了自觉地反思,或隐或现地在文学中加入了"反抗性"和"社会性"的维度,然而二者对于文学的"社会性"的理解又有着微妙的差异。Literature is characteristic of subjectivity.,The compilation of literary history reflects the editors' view of literary history as well as their attitudes.Zhou Zuoren and Yu Dafu,two editors of,reveal their attitudes through their own prose and some selected articles in the introduction.Their complicated changes in literary views in "the red 1930s" were always "internalized" and adherent to "May Fourth" tradition.Meanwhile,they also bring forth their value orientation in literary history in the first decade of new literature.Influenced by social environment and literary ecology in the 1930s,they have added "rebellious" and "social" dimensions to their writing.However,their understandings of "sociality" in literature bear a subtle difference.
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