论《离骚》的浪漫手法与诗性象征  

On Romantic Style and Poetic Imagery in Lisao

作　　者：李成军[1] 吴明东[2] 

机构地区：[1]齐齐哈尔大学文学与历史文化学院,黑龙江齐齐哈尔161006 [2]齐齐哈尔大学学报编辑部,黑龙江齐齐哈尔161006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2013年第1期64-66,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：黑龙江省教育厅项目<〈楚辞〉故训及相关文学问题研究>(12512378)

摘　　要：作品通过三次漫游,来记录作者忠君爱国的心路历程,而这种心路历程是在理性艺术原则下,通过浪漫主义创作方法来体现的。而诗性的象征是作者借楚国的山川、风物、草木、鸟兽来叙述自己的感怀,诗性象征的手法,表达了诗人心灵的高洁,抒发了美政理想。这二者在作品中有机结合,熔铸在抒情主人公的形象塑造上,传达出作品独特的审美特质。Through three roams,the works records the pilgrim of patriotism of the author,which was realized under the principle of national art and created in a romantic way.Poetic images have been achieved by means of mountains,customs,plants and animals in Chu,which can embody poet＇s high virtue and his great political ideal.Under the two principles,the creation of the characters and its perfect realization in characters,the works shows distinctive aesthetic features.

关 键 词：浪漫手法 诗性象征 浪漫主义 

分 类 号：I207.22[文学—中国文学]