滦州影戏剧本《火焰山》与小说《西游记》相关内容之比较  

The Comparison between the Contents of Shadow Play Script The Mountain of Flames in Luanzhou and the Novel Pilgrimage to the West

作　　者：谢昕婷[1] 

机构地区：[1]贵州大学人文学院,贵阳550025

出　　处：《唐山学院学报》2013年第1期4-7,共4页Journal of Tangshan University

基　　金：国家社会科学基金项目(11XZW043)

摘　　要："西游记"的故事源于历史真实事件。在其悠久的流传过程中,无数民间艺人与文人参与创作,"西游"故事被不断地改变情节,丰富内涵,并以各种艺术形式出现。吴承恩小说《西游记》的问世标志着"西游"故事的定型,其对后世的小说与戏曲创作都产生了极大的影响。滦州影戏剧本《火焰山》根据吴承恩小说《西游记》五十九至六十一回改编而成。文章通过对二者的情节、表达方式及道德教化功能等方面进行比较,分析其关联。＂Pilgrimage to the West＂ originated from real historical events. In the long progress of spread,innumerous folk artists and scholars participated in the creation. The stories of ＂Pilgrimage to the West＂ were changed continually in plots and were enriched in connotations. Therefore, it took different artistic forms. The novel Pilgrimage to the West by Wu Chenen symbolized the finalized pattern of ＂Pilgrimage to the West＂ , which had a great influence on the forthcoming cre- ation of novels and traditional opera. The shadow play script The Mountain of Flames in Lu- anzhou was adapted based on chapter fifty-nine to chapter sixty-one of the novel Pilgrimage to the West by Wu Chenen. In this paper, the play script the Mountain od Flames in Luanzhou and the novel Pilgrimage to the West by Wu Chenen were campared from the aspects such as plot, means of expression and function of moralizing to show the interrelation.

关 键 词：滦州影戏 《火焰山》 《西游记》 影卷 

分 类 号：I207.38[文学—中国文学]