“墨竹”绘画样式的经典化——以文同“墨竹”创作为中心  

The Canonization of the Modes of Ink Bamboo: Focusing on Wentong's painting

作　　者：唐卫萍[1] 

机构地区：[1]杭州师范大学艺术教育研究院,浙江杭州310012

出　　处：《美育学刊》2013年第1期97-107,共11页Journal of Aesthetic Education

基　　金：教育部人文社会科学重点研究基地重大项目<宋金元文艺思想史>(11JJD750009)子课题<宋代书画思想研究>的研究成果之一

摘　　要："墨竹"创作的传统由来已久,直到北宋时经过文同之手,"墨竹"才作为一种经典绘画样式确立下来,成为后世画家模仿的典范。文同在对画竹技法进行探索的同时,将"君子"人格注入到墨竹的创作之中,"画"出了士大夫眼中理想的竹子。"墨竹"由此成为士大夫绘画创作的经典题材。文同墨竹创作逐渐成熟并扩大影响的过程,实际上就是"墨竹"绘画样式在北宋画坛经典化的过程。The tradition of painting bamboos in ink dates back to long, long ago and it wasn＇t until the North Song Dynasty that the modes of painting bamboos in ink were canonized in the hands of Wentong to be emulated by painters of succeeding ages. While exploring techniques of bamboo painting, Wentong infused the noble character of ＂Junzi＂ into the bamboos he painted so that they were invested with the literati＇s ideals. From then on, the painting of ink bamboo became an established practice with the literati. The gradual maturing of Wentong＇s painting of ink bamboo and its increasing influence was in fact the very canonization of the painting of bamboos in ink in the painting world of the North Song Dynasty

关 键 词：墨竹 文同 北宋画坛 苏轼 经典化 

分 类 号：J212[艺术—美术]