谈我国当代建筑中新的美学倾向  

Discussion about the New Aesthetic Tendency of Today’s Architecture in China

作　　者：王又佳[1] 

机构地区：[1]北方工业大学建筑工程学院

出　　处：《华中建筑》2013年第2期11-14,共4页Huazhong Architecture

基　　金：教育部人文社会科学研究青年基金资助项目(编号:11YJCZH176)

摘　　要：建筑自从诞生伊始便与美和审美有着千丝万缕的联系,建筑设计离不开美学判断。在古代建筑美学为权力阶层所独占;现代则成为知识精英表达新精神的媒介;而在今天的民主社会中建筑美学则走进了寻常百姓家。随着市场经济的日益成熟,在中国大众的审美标准也不可避免地开始影响原本是专业范畴的建筑学话语,这就给今天的建筑带来了新的美学倾向。该文即尝试讨论在大众文化繁盛的中国都市中这种新美学的典型特征,以期望为这一课题勾勒出大致的脉络。Since the beginning of the birth, architecture was inextricably linked with the beauty and aesthetics. The architectural design is inseparable from the aesthetic judgments. In the ancient, architectural aesthetics was monopolized by the exclusive power： in modern era, it was the medium of intellectual elite to express the new spirit, and in today＇s democratic society architectural aesthetics has already stepped into the view of ordinary people. The aesthetic standards of the public will inevitably affect the originally specialized areas of architectural discourse, which has brought a new aesthetic tendency to today＇s architecture with the economy maturing. This article attempts to discuss the typical characteristics of this new aesthetic tendency in Chinese metropolis, and expects to sketch out the skeleton of this subject.

关 键 词：建筑形式 美学 大众文化 

分 类 号：TU-026[建筑科学—建筑理论]