动画系列电影《喜羊羊与灰太狼》的文化伦理追求  

Cultural Moral Pursuit in Cartoon Pleasant Goat and Grey Wolf

作　　者：周均东[1] 

机构地区：[1]曲靖师范学院人文学院,云南曲靖655011

出　　处：《曲靖师范学院学报》2012年第6期28-33,共6页Journal of Qujing Normal University

基　　金：云南省高等学校精品课程建设资助项目(2011)研究成果之一

摘　　要："喜羊羊与灰太狼"系列动画电影,讲述的都是发人深省的文化伦理故事。其中,《喜羊羊与灰太狼之牛气冲天》传达的存在就是合理、宽恕敌人就是宽恕自己的文化伦理主题,在某种程度上泛化了当下的时代话语和人们的生活态度;而《喜羊羊与灰太狼之虎虎生威》阐述的大家都是亲人、谁也没有敌人的观念,则是《喜羊羊与灰太狼之牛气冲天》的主题的合理延伸和合法演绎,二者传播的理念具有同质异构的特征,都指向人类的文化伦理追求,都蕴含着文化伦理的力量和光芒。它们在某种程度上,实现了动画与伦理的共赢,做到了时代性、民族性与当下性的深度统一,也对如何营造和形成中国原创动画电影的独特话语方式及其民族化表现模式,作出了引人关注的有益探索。The stories in the cartoon Pleasant Goat and Grey Wolf are the cultural moral stories. The cuhur-al moral theme that ‘ whatever is, is right＇ and ‘ to forgive others is to forgive oneself＇ has been elaborated in the cartoon Pleasant Goat and Grey Wolf-Super Adventure, which, to some extent, reveals the fash-ionable utterance and people＇ s current attitude towards life ; while the notion that ‘ all people are friendly and nobody is hostile＇ in the cartoon Pleasant Goat and Grey Wolf-The Tiger-like Goats, which is the extension of the theme in Pleasant Goat and Grey Wolf-Super Adventure. They share the same cultural moral characteristics with same cultural moral pursuit. The double - win of cartoon and moral and the inte-gration of temporal spirit, nationality and fashion, to some degree, have been achieved, which is to benefit the mode making the original cartoon in China.

关 键 词：动画电影 伦理故事 形象特征 伦理道德 话语方式 

分 类 号：I106.8[文学—世界文学]