现代诗语新论:意象、非意象化、无意象之纠结  

A New Study of Modern Poetic Language:Entanglement among Images,Non-images and Imagelessness

作　　者：陈仲义 

机构地区：[1]厦门城市学院人文学部,福建厦门361004

出　　处：《海南师范大学学报（社会科学版）》2012年第10期92-99,共8页Journal of Hainan Normal University(Social Sciences)

基　　金：厦门市优秀人才科研出版基金项目"现代诗语言研究"(编号:XMRC201102);中国作家协会2011年度重点作品扶持项目

摘　　要：意象作为现代诗语的核心构件,经历了从浅表意象到深度意象到审智意象的过程,现代诗语言达到了某种"巅峰"状态。然而物极必反,非意象化带着事象化和事态化特征,弥补了意象的不足与缺陷,它大大提升了诗歌处理日常琐屑事物的复杂能力,体现了某种"事实诗意"。而无意象更是把诗歌引入理象与抽象。但事实上,近年崛起的非意象化和无象无法取代意象。意象与非意象化、意象与无象之间既有排他、冲突的一面,也有协调、互化的一面。它们的此消彼长,还得依托于张力杠杆的撬正。As the core component of modem poetic language, images have undergone the process from superficial images through profound ones to aesthetic and wise ones, thereby having elevated the modem poetic language up to the ＂peak＂ status. Nevertheless, extremes meet; although non-images featuring their substance and concreteness have compensated for the shortcomings and defects of images and have greatly enhanced the ability of poetry to deal with the complexity of daily trivialities--an embodiment of some＂ actual poetic quality＂, imagelessness has even rendered poetry rational and abstract. However, as a matter of fact, the non-image and imagelessness which have emerged recently can not take the place of the image, for there are not only exclusion and conflicts but also coordination and interchanges between images and non-images as well as between images and imagelessness. Their counter-balance is to lie in the regulation of the tension lever.

关 键 词：意象 非意象化 无象 纠结 张力 

分 类 号：I207.2[文学—中国文学]