巴黎城里的游荡者和游荡者眼中的巴黎城  

The Flneur in Paris and the City of Paris in the Eyes of the Flneur

作　　者：上官燕[1] 

机构地区：[1]三峡大学外国语学院,湖北宜昌443002

出　　处：《外国文学》2013年第1期118-128,159-160,共11页Foreign Literature

基　　金：国家社科项目"19世纪中期以来的西方城市文学研究"(12BWW005)

摘　　要：本文以瓦尔特·本雅明有关城市的相关作品为基础,聚焦于19世纪巴黎城里的游荡者,考察了游荡者在以城市重建为标志的巴黎城现代化过程中产生、发展和消失的命运,同时阐述了在巴黎城现代化的各个阶段,游荡者与其中出现的重要主题之间的关联。作为资本主义大都市的代表,19世纪的巴黎城堪称现代性的化身,这样的现代性正是被产生于其中却又与之保持距离的游荡者所打量。借助这个转瞬即逝的城市土生子的目光,我们不仅看到了巴黎城身上镌刻的19世纪欧洲资本主义的历史和现代性,还领悟到巴黎城现代化的真正含义。Based on Walter Benjamin's city portraits,the paper concentrates on nineteenth-century Paris.It first investigates the rise,developm entanddeclineoftheflneurduring the modernization of the city of Paris marked by the urban renewal.It then makes a detailed study of the relationship b etweentheflneur and the various important subjects that appeared at each stage in the modernization of Paris.Nineteenthcentury Paris incarnates modernity,which is then observed critically by t heflneurwholivesinsidethe city of Paris as an urban native from a distance.Through the eyesofthetransientflneur,we not only behold the history and modernity of nineteenth-century European capitalism which has been engraved on the city of Paris as the representative of capitalist metropolises,but also detect the truth of modernization of the city of Paris.

关 键 词：瓦尔特·本雅明 巴黎城 城市重建 游荡者 现代性 

分 类 号：G0[文化科学]