李渔词本体论再议  

Re-discussion of the Ontology in Li Yu's Cis

作　　者：胡元翎[1] 

机构地区：[1]黑龙江大学明清文学与文化研究中心,哈尔滨150080

出　　处：《学术交流》2013年第2期156-162,共7页Academic Exchange

基　　金：国家社会科学基金项目(12BZW047);黑龙江省哲学社会科学研究规划项目(08D052);黑龙江省教育厅人文社会科学项目(12512227)

摘　　要：李渔对于词本体论具有理论自觉意识,然而对其词学本体论进行深入分析之后,发现他理论上虽然着力于词曲之间的辨析,但并不属于纯粹的本体论,其间融入词曲交融、文体通观之倾向。其词的创作亦更多融入"歌"因素,是以理论家的理性试图分清词与诗、曲的界限,却又以曲家的本色写出了大似曲的词篇。李渔词从理论到创作皆属由"明词曲化"到"清词复雅"的过渡样态。Li Yu had his self - consciousness of theory on Ci＇ s ontology. Through analyzing his ontology of Cis, we revealed that his theory did not belong to a pure ontology but analysis of Ci and Qu with the expression of general literary concept. His creation of Ci was fused into many ＂song＂ factors, defining the line of Ci with poetry and Qu in a theorist＇ s reason and writing down Qu - like Cis from the perspective of dramatist. Li＇ s Ci from his theory to creation showed a type of transition from ＂Qu - trended Cis of the Ming Dynasty＂ to ＂Elegant Cis of the Qing Dynasty＂

关 键 词：李渔 《窥词管见》 《耐歌词》 本体论 

分 类 号：I206.2[文学—中国文学]