日据时期台湾美术中的“写生”观念及其影响——以日据时期东洋画发展为例  

The Influence of "Sketching" Concept in Art of Taiwan during Japanese Colonial Period——Taking the Development of Toyoga for Example

作　　者：何韵旺[1] 王学琴[1] 

机构地区：[1]华侨大学美术学院,福建泉州362021

出　　处：《艺术探索》2012年第6期27-30,4-5,共4页Arts Exploration

基　　金：福建省教育科学"十一五"规划2010年度规划课题"20世纪台湾绘画地方色彩风格形成研究"(FJL10-122)

摘　　要：1895年日本占领中国台湾,台湾固有的文化艺术遭受巨大的抑压。其中,日式美术教育中"写生"观念的引入,在不同程度上冲击了清末台湾固有的传统绘画艺术,并促成胶彩画在台湾的形成与发展;另一方面,殖民者导入的西方现代美术形态,客观上促使台湾产生新的美术思潮,对台湾近代绘画发展产生深远的影响。In 1895,Taiwan was occupied by Japan,and the colonial government implied its policy of 'assimilation'.In addition to a huge change in the political form,economic status,social system,Taiwan original tradition arts and culture had also been suffered an enormous impact.With the introduction of the Japanese 'sketching' concept in modern education,to a certain extent,it impacted of the traditional ink painting mode in late Qing dynasty and promoted the forming and developing of gouache painting in Taiwan.On the other hand,with importing Western modern art form by Japanese colonists,it promoted new fine art ideas in Taiwan objectively,and made profound influence on the development of modern painting in Taiwan

关 键 词：日据时期 台湾美术 写生观念 

分 类 号：J209.2[艺术—美术]