数字化时代出版美学的继承与创新  

Inheritance and Innovation of Publishing Aesthetics in Digital Era

作　　者：赵树旺[1,2] 张昭[3] 

机构地区：[1]河北大学新闻传播学院,河北保定071002 [2]中国传媒大学传播研究院,北京100024 [3]河北大学宋史研究中心,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2013年第1期134-137,共4页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家科技支撑计划课题<数字出版内容国际传播平台应用示范>(2012BAH23F04)

摘　　要：数字化时代的出版美学既与传统的出版美学研究范式和成果相区别,又将传统与数字出版物的审美特征进行了辩证综合、融会贯通,形成了一种新的理论形态和理论结构,包括了传统出版美学和数字出版美学在内的审美科学。数字化时代的出版美学以融合为基本特征,研究对象的外延扩大了,审美行为与方式发生了改变。数字化时代出版美学借助数字技术丰富出版美学的产品形态,借助数字出版实践丰富出版美学理论,通过创新保持自我完善和发展。The publishing aesthetics in digital era distinguishes itself from the research model and findings of traditional publishing aesthetics. Having integrated dialectically and digested the aesthetic features of traditional and digital publication, the publishing aesthetics becomes a new theoretical form and structure. The publishing aesthetics in digital era is an aesthetics science including the traditional and digital publishing aesthetics. In digital era, the publishing aesthetics takes integration as its basic characteristic, its research object is extended and the aestheticsr behavior and mode changes. The publishing aesthetics in the digital era will enrich the production forms through digital technology, develop the theory through digital publishing practice, and realize the self-- perfection and self-- evolution through innovation.

关 键 词：数字化时代 出版美学 出版 

分 类 号：G23[文化科学]