《古赋辩体》与明代辨体批评  

Genre Criticism in Ming Dynasty and Zhu Yao's Genre of Ancient Rhapsody

作　　者：何诗海[1] 

机构地区：[1]中山大学中文系

出　　处：《文艺理论研究》2013年第1期19-26,共8页Theoretical Studies in Literature and Art

基　　金：广东省社科项目(GD11CZW06);教育部人文社科项目(12YJA751020);国家社科基金项目(12BZW044);国家社科基金重大项目(10&ZD102)的部分成果

摘　　要：《古赋辩体》不仅是一部辞赋总集,更是一部体大思精的辨体批评著作。全书融赋选、赋史、赋论于一体,以古诗之义和吟咏性情为标准,以小序、题解为主要批评方式,构建了一个内容丰富、体例严整、富于理论价值和思辨色彩的辨体批评体系,对明代复古论者辨体意识的张扬,以及以总集、序题等方式展开辨体批评等风气,产生了直接而深刻的影响。Zhu Yao＇s Gufu Bianti （The Genre of Ancient Rhapsody） is not only an important anthology of fit （rhymed prose, rhapsody） but also a comprehensive critical work on rhapsody. The anthology encompasses a selection of rhapsody texts and essays on the history and genre of rhapsody. It presents a systematic genre criticism which takes the six principles of poetry and exposition of personal sentiments as its criteria while taking prefatory notes and titular interpretation in ancient critical tradition as its approach, and its criticism is rich in content and logical in organization with valuable theoretical insights. The work has exerted a great influence on the principle and method of genre criticism in the Ming Dynasty.

关 键 词：祝尧 《古赋辩体》 明代 辨体批评 

分 类 号：I207.22[文学—中国文学]