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作 者:张英进[1]
机构地区:[1]美国圣地亚哥加州大学文学系
出 处:《文艺理论研究》2013年第1期28-38,共11页Theoretical Studies in Literature and Art
摘 要:本文回顾海外三次文学争论所显现的学术研究的范式变迁,指出海外中国现代文学研究从来就不只是一种声音或谱系,它有着与欧美人文研究界整体范式转型类似的机构发展轨迹。正如各种中外理论此起彼伏,中国经验在全球化迅速发展的今天早已复数化与复杂化,要求多元甚至变动的视角进行审视。By way of reviewing paradigm shifts as manifested in three literary debates, this paper contends that overseas studies of modem Chinese literature never contain only one single voice but rather follow a trajectory similar to institutional changes and par- adigm shifts in the humanities in Euro- America. As theories come and go inside and outside China, Chinese experiences have been pluralized and complicated by today' s fast development of globalization and therefore demand an exploration from multiple and even mobile perspectives.
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