清代词人宋荦词学创作历程论略  

Brief Comments on Creation Course of Song Luo's Poems

作　　者：刘万华[1] 李凤花[2] 

机构地区：[1]商丘师范学院历史与社会学院,河南商丘476000 [2]商丘师范学院图书馆,河南商丘476000

出　　处：《商丘师范学院学报》2012年第4期123-129,共7页Journal of Shangqiu Normal University

基　　金：教育部全国高等院校古籍整理研究工作委员会2007年重点研究项目"宋荦全集校点";河南省教育厅人文社会科学研究项目"宋荦年谱长编"(项目编号:2011-GH-153)

摘　　要：清代是词的中兴期,词的创作和理论都呈现出繁荣的局面。清初的宋荦,在清代词坛占有重要地位,其词学创作大概以康熙十六年为界分为前后两个时期,前期法北宋、尚婉约,后期师南宋、主醇雅。梳理宋荦词学的创作历程,探讨其词风转变的特点与原因,对全面认识清代词学的发展大有裨益。The Qing Dynasty is the resurgent period of Poem. Both the poem creation and comment took on a prosperous look. Song Luo was often known as a poet but he was also a poet in the early Qing Dynasty. The year KangXi sixteen marked a watershed in the rhymed verse creation. It was generally divided into two periods ： the former period and the latter period. The former period followed the example of the Northern Dynasty and advocated the subtle and implicit style; the latter period learnt the Northern Dynasty and upholds the mellow and elegant style. The thesis tried to comb out the creation course of Song Luo＇ s poems and discussed the characteristics and the reasons of the transformation

关 键 词：宋荦 词学创作 历程 

分 类 号：I206.2[文学—中国文学]