论中国现代速写体小说的“场面”叙事特征  

On "Scenes" Narrative Features of Modern Chinese Sketch Novels

作　　者：王爱军[1] 

机构地区：[1]南京师范大学文学院,南京210097

出　　处：《山西师大学报（社会科学版）》2013年第2期100-104,共5页Journal of Shanxi Normal University(Social Science Edition)

基　　金：江苏省社科基金项目(11ZWD019);江苏省普通高校研究生科研创新计划资助项目;南京师范大学研究生科研创新计划资助项目(CXZZ11_0858)

摘　　要："速写"是一种能扼要地揭示生活真相的宏大叙事文体,兴盛于20世纪30年代,它与现代小说互渗融合则生成速写体小说。30年代速写体小说以场景化和断片化展示而形成的"场面"叙事取代了20年代速写体小说的"个性化形象"叙事,它经历着由抒情型文体向叙事型文体的变迁。30年代速写体小说的文体规范是与特殊的时代氛围密切相关的,即以"场面"叙事表征着一种"合理性"的社会图式,这正是中国现代速写体小说的文体价值所在。＂Sketches＂ is a grand narrative style which can reveal the truth of life. Flourished in the 1930s, it was generated by integrating with modem fictions. The 1930s sketch Novel scene fragments of ＂scenes＂ narrative has replaced. The narrative of the the 1920s sketches novel ＂personalized image＂. The stylistic norms of 1930s sketches novel is closely associated with the special atmosphere of that ＂scene＂ narrative, that is it demands rational requirements in line with the times. This is the modem sketches novel stylistic value.

关 键 词：现代文学 速写体小说 场面叙事 文体价值 

分 类 号：I207.65[文学—中国文学]