北岛诗歌的创作转向与当代诗歌的审美日常化生态研究  

Researches on the Creative Diversion of Beidao's Poetries and the Pan-aesthetic Trend of Modern Poetries

作　　者：李庶[1] 

机构地区：[1]四川师范大学

出　　处：《中华文化论坛》2013年第3期120-124,190-191,共5页Journal of Chinese Culture

摘　　要：在当下,北岛早期诗歌中坚定的历史主体独白逐渐脆弱,面对诗歌创作审美日常化的时代需要再难动人心魄。同时,他在异国漂泊中成就的后期诗歌转向了一种犹疑的生命个体思辨,但却因不复往昔的力量和情感而让人拒斥。北岛诗歌遭遇的两种困境也启示出了当代中国诗歌发展的某些艰难。By now,the firm monologues by the historical subjects in Beidao's poetries in his early stage are getting weak.Facing the call of the times on pan-aesthetic trend,they are no longer able to touch one's soul.Meanwhile,his poetries in his later stage when he traveled abroad turn to be a kind of doubtful enquiry on individual life,but are less attractive due to lack of strength and emotion like it owned in the past.The two kinds of dilemmas suffered by Beidao's poetry are also threatening the development of China's modern poetry.

关 键 词：北岛 诗歌 困境 审美日常化 

分 类 号：I207.25[文学—中国文学]