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作 者:王嫚[1,2]
机构地区:[1]湛江师范学院美术学院,湛江524048 [2]郑州大学历史学院,郑州450001
出 处:《中国陶瓷》2013年第3期73-76,共4页China Ceramics
摘 要:鸟纹是新石器时代彩陶装饰中应用较多的题材,不同文化类型彩陶上的鸟纹形态各异,曲尽其妙。彩陶鸟纹的装饰构成方式,无论是二方连续还是单独纹样形式都是从器皿整体的装饰部位来考虑构图的。彩陶装饰中不同鸟纹以直观的形象特征与其他花纹进行组合形成的图案,是一种象征性的寓意表达,反映出新石器时代人们的社会生活状况和精神方面的需求。The painted bird is the theme generally expressed on the Neolithic pottery as decoration. Different types of painted birds represent different forms of the pottery culture. The design of the painted bird involves mainly in the patterns. No matter what pattern it is, whether a two-sided continuous figure, a single-painted texture, it is designed from the viewpoint of decorating the utensil as a whole. The design made of painted birds with the characteristics of visual images combined with others patterns is a symbolic expression, reflecting the status of Neolithic social life and spiritual needs.
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