易卜生戏剧在现代自我话语中的跨文化重构  

The Cross-Cultural Reconstruction of Ibsen's Drama in the Modern Self Discourses

作　　者：黄小苹[1] 李贵苍[2] 

机构地区：[1]浙江师范大学外国语学院 [2]浙江师范大学

出　　处：《外国文学研究》2013年第1期156-159,共4页Foreign Literature Studies

摘　　要：本文以2008年出版的会议论文集《易卜生与现代自我概念》为基础,从政治话语和遮蔽/解蔽话语两个角度,分析易卜生戏剧在现代自我话语中的跨文化重构,并反思现代自我话语给易剧重构带来的启示。Based on the conference proceedings entitled Isben and the Modern SelJ published in 2008, this paper outlines the cross-cultural reconstruction of Ibsen＇s drama in the modern self discourses from the following two perspectives： cultural politics and concealment versus unconcealment. The insights brought by the modern self discourses are also raised to shed some light on the cross-cultural reconstruction under discussion.

关 键 词：易卜生戏剧 现代自我话语 跨文化重构 

分 类 号：I533.073[文学—其他各国文学]