“身韵美学”的构建与中国古典舞的学科建设  

Construction of Body Rhyme Aesthetics and Subject Establishment of Chinese Classical Dance

作　　者：庞丹[1] 赵晶晶[1] 

机构地区：[1]北京舞蹈学院,北京10081

出　　处：《北京舞蹈学院学报》2013年第1期65-69,共5页Journal of Beijing Dance Academy

摘　　要：当代中国古典舞发展至今,教学体系逐渐完善,学科建设日益丰满,舞台实践越加丰富,理论建设应该并步发展。20世纪80年代中国古典舞身韵的出现,标志着中国古典舞成为真正意义上的独立舞蹈形式,标志着具有独立舞种特色的中国古典舞的诞生。身韵不仅是对中国传统文化的继承与弘扬,也是中国传统文化精神的身体体现。身韵抓住了民族美学特征和本质,也更加契合中国古典舞所追求的理念思想,随着中国古典舞教学体系的日臻成熟,我们应在身韵的基础上,以"身韵美学"的构建,进一步发展和完善中国古典舞的学科建设。In the development of Chinese classical dance, as its teaching system, subject establishment, and stage practice gradually perfect, subject theory is expected to develop simultaneously as well. The appearance of body rhyme of Chinese classical dance in 1980s marked the dance becoming a truly independent dance form and manifested the birth of Chinese classical dance with characteristics of independent dance type. The body rhyme is not only the inheritance and carrying forward of traditional culture, but also the physical reflect of Chinese traditional spirit. It seizes the features and essence of the national aesthetic, the idea of body rhyme also better fits the pursuit of Chinese classical philosophy thoughts. With the maturity of the Chinese classical dance teaching system, we shall further enhance the subject establishment with construction of body.

关 键 词：中国古典舞 身韵美学 和而不同 教学体系 

分 类 号：J701[艺术—舞蹈]