黑格尔论理想音乐的自由境界  

The Freedom of Ideal Music in Hegel's Philosophy of Art

作　　者：张璐倩[1] 

机构地区：[1]华东理工大学人文科学研究院,上海200237

出　　处：《上海大学学报（社会科学版）》2013年第2期86-95,共10页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社科基金资助项目(11CZX071);教育部高校专项基金项目(WO1122001);华东理工大学优秀青年教师科研基金项目(YL0157113)

摘　　要：黑格尔的艺术诠释基于形而上学与逻辑辩证,并以此作为阐释音乐艺术的视角与方法。黑格尔音乐哲学的中心问题围绕"内在"意义与"外在"形式的关系展开,其实质是将二元的主客体消融在内在主体性之中,以主体性的维度探察音乐艺术的本质。音乐作为主体趋向自由的艺术,意义及其感性表达的平衡是理想音乐的自由境界。基于此,通过阐发理想音乐的基本内涵,音乐艺术的自由特性以及感性因素的自由原则,尝试论证黑格尔音乐哲学中音乐与主体的关系问题,由此,音乐即成为主体朝向自由的一种方式。Hegel＇s interpretation of art and illustration of music are both based on metaphysics and dialectic. Hegel＇s philosophy of music, whose core is the relationship between the ＂internal＂ meaning and the ＂external＂ form, integrates subject and object into inherent subjectivity to examine the nature of music as art. The ideal music is a balance of the ＂internal＂ meaning and the ＂external＂ form. By discussing the basic connotation of ideal music, the free essence of music and free principles of perceptual factors, the article probes into the relationship between subjectivity and music and argues that music is a main way to achieve subjective freedom.

关 键 词：黑格尔 音乐哲学 理想音乐 

分 类 号：B921[哲学宗教—宗教学]